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From the smallest detail in an image, we can learn so much about the time in which it was created. Are they tanned? If not, then, at that particular time in European History, it was not considered desirable or particularly cool to work outside on the land… pale skin was a sign of wealth.

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A new exhibition explores how the naked form revolutionised painting and sculpture. Cath Pound looks at shifting attitudes and what they reveal about society and sexuality. Renaissance artists transformed the course of Western art history by making the nude central to artistic practice.

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Nudity is seldom celebrated, except perhaps in depictions of breastfeeding or bathing in the country. This is also the case in art, where it is rare to see the painted naked female form — leisurely sitting or self-consciously posing at home. The veteran artist painted this picture inwhen he worked as a tutor at the Economics Institute in Yangon. It was a painting of the revolution, but reflecting the deathly suffering and pain he witnessed around him.

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At pioneer art design educationist and artist Loh Khee Yew's first solo show of nude drawings at the former Empress Place Museum inhe was often told: "Why nude? I like your works, but I can't bring them home. Twenty-six years later, Loh, now 83, is still drawing and painting female nudes.

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At times this worthiness results in objectification and sexualisation, but what happens when you remove nudes from the male gaze? Do women see other women's bodies differently? Photographer Amanda Charchian for the last three years has been investigating the tension between sexuality, erotica and creativity from her unique female perspective.

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The nude figure is a tradition in Western artand has been used to express ideals of male and female beauty and other human qualities. It was a central preoccupation of Ancient Greek artand after a semi-dormant period in the Middle Ages returned to a central position in Western art with the Renaissance. Athletes, dancers, and warriors are depicted to express human energy and life, and nudes in various poses may express basic or complex emotions such as pathos.

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Sir Kenneth Clark's closely-argued and intelligent volume on the development of the nude traces both a central strand of art criticism and presents a view of life. Perhaps the book is more interesting in the insights it implies into the nature of man, for attempts to create empathy with a personal reaction to works of art are not always entirely convincing. Perhaps a significant difference between our age and the so-called "classic" eras, indeed, between any culture and another, lies in attitudes toward physical beauty.

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Since time immemorial, the nude form has fascinated painters and artists. The representation of the naked, unveiled body is as old as the history of art itself. And how diverse is the view on the human body, how diverse its design!

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Why do representations of the human body continue to cause controversy? Sam Rigby finds out. The nude has fascinated artists and viewers alike for centuries — even today it continues to be a subject that triggers debate and controversy. It has appeared in almost every major art movement from Cubism to Abstract Expressionism to the political art of more recent times.

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